“It takes a family to raise this village.”

by Lindsay Costello

4. FAMILY MATTERS: It takes a family to raise this village.

Morgiana

Because I am nothing if not a fan of Gothic excess, I can never seem to shut up about Morgiana. Juraj Herz’s florid, Freudian masterpiece of ’70s Czech New Wave cinema blends notes of Picnic at Hanging Rock‘s eerie femininity and Valerie and Her Week of Wonders‘ surreal opulence. The plot is strangely simple: One sister, Viki, despises the other, Klara, because Klara is nice and kinda vapid but super pretty. Klara also cops a bigger inheritance than Viki after their father’s death. Viki, with the Siamese cat Morgiana slung over her shoulder, sets out to poison Klara. Iva Janžurová stars as not one but both hypnotic leading characters in the film fatale, and she somehow pulls all of this off while sporting enough makeup to make a clown blush.

The film is a haunted example of Czech New Wave cinema’s calling cards: It’s weird and psychedelic and witchy and watery, with wide-angle kitty POVs and stylistic extravagance. But Herz also accomplishes something rare here. Morgiana is Loie Fuller’s Serpentine Dance; it’s a floral tea laced with LSD. The film’s ultra-simple plot is propped up by frankly bonkers art noveau production design and costuming, enveloping the viewer in Grey Gardens-level feminine isolation and mystery. By keeping the story straightforward, it all becomes archetypal, a sort of dream state. Fantasy is possible here, and sometimes fantasy is dark and freaky. Just ask the Brothers Grimm.

The Stranger is participating in Scarecrow Video’s Psychotronic Challenge all month long! Every October, Scarecrow puts together a list of cinematic themes and invites folks to follow along and watch a horror, sci-fi, or fantasy flick that meets the criteria. This year, Stranger staffers are joining the fun and we’re going to share our daily recommendations here on Slog! Read more about Scarecrow’s 2024 challenge—and get the watch list—here. And you can track our daily recommendations here! 💀

The Stranger

We visited the iconic restaurant before it closed its doors last weekend.

by Nathalie Graham

China Harbor has sat on the western edge of Lake Union for 30 years—a hulking black box surrounded by docked yachts and boat rental companies. 

But until last week, I’d never been inside the massive Chinese restaurant. Every time I drove past, the big red letters in the stereotypical typeface literally called “wonton font” shouted “CHINA HARBOR,” drawing my attention to the building and the steps leading up through the round entryway. I would try to glimpse what and who was in there until the curves in the road pulled my eyes away. 

For the three decades it’s occupied the former Elks Lodge building along Westlake Avenue, China Harbor has been mired in conspiracy. It’s been a mythmaker, an object of fascination. Anyone I asked about the restaurant spoke about it conspiratorially. “It’s a front, you know,” they’d say. “It’s always empty there. The Chinese mafia owns it.” They spoke of bad food, of poor health ratings, and rampant rat infestations. They’d toss around theories about prostitution, drugs, and basement gambling. None of them—friends, coworkers, strangers on the internet—had ever been. The mystery grew. Then, less than a month ago, the restaurant’s team posted on Facebook that China Harbor would be closing. Finally, during its last week in operation, I ate at China Harbor. 

I arrived with two friends at 6:30 pm and waited in a long, unmoving line to just talk to the hostess. Inside the banquet hall, which I could only glimpse from my spot in the empty lobby, people dined. Behind me, the line kept growing as more and more people showed up to pay their respects, or whet the appetites of their curiosities before it was too late. Many seemed surprised to find a line, to have to wait. They’d probably bought into the “mafia front” rumors, too, and had expected an empty ballroom. 

In the large dining room, a wall of windows snaked around the perimeter, framing the view of South Lake Union and the Seattle skyline with ornate red lattice. The room’s light glowed through painted ceiling tiles in between wood-carved beams. Tables and tables filled with people filled a dining space as big as a football field. 

The hostess sat my group at a table next to the window that looked out at the lake as dusk fell on Seattle. A frazzled waiter, his disposable mask slipping beneath his nose, took our order, advising us to order all at once because “it would take a long time.” We could barely hear him above the din of diners and only ordered appetizers.

The crab rangoons came first and were gone in a matter of seconds and a matter of bites. My stomach growled gratefully when the moo shu pork came out. I wasted no time slopping hoisin sauce onto a pancake as I piled pork in the middle. I moaned as I took a bite. Yum. We heaped steamed garlic green beans onto our plates and consulted the menu for our main dishes. 

In the frenzy of closing-time festivities, we couldn’t flag down a waiter. When a busboy came to clear our dirty appetizer dishes, we begged him for a drink menu. 

“Oh, I don’t know what we have,” he said. “I’ll go get someone. Today’s my first day.” The restaurant’s planned closure was in three days. 

Soon, a waitress came. She took our orders. When we asked for beef chow mein, she said, “No. Get chung fu. It’s better.” We trusted her. When we ordered dim sum, she shook her head. “None left.”  

We gorged on almond chicken and slurped beef chung fu. By the time the beef and broccoli came out, we determined it would make a good lunch tomorrow and split it into to-go boxes. All of us left China Harbor sated and impressed. 

Above all, it seemed like a normal Chinese restaurant. Where did all the hullabaloo come from?

After eating there, I wanted to dive into the mystery surrounding the building. And, boy, would you believe it? That mystery that’s tailed the business for decades? It’s actually just run-of-the-mill racism. 

If you want to know anything about what White Seattle thought about China Harbor through the decades, look no further than the Naked Loon, an early-aughts satire blog that now reads like The Needling’s conservative, unfunny uncle. A farcical story from the Naked Loon called “China Harbor Probably Not Just A Restaurant” involves, what I assume, is a made up story of the Loon staking out the building: 

Most people agree that the 34 thousand square foot facility is in fact a front for a massive drug smuggling operation. The establishment’s waterfront location and immense storage space make this pretty much a foregone conclusion. In an attempt to confirm this, our investigators called the restaurant, and attempted to make a reservation for “Cocaine, party of 2 kilos” in a fake Chinese accent. The outburst of mixed Chinese and English profanity that resulted from this query was considered to be proof enough of the assertion, and we felt that it had been worth the trouble making the previous thirty calls in which the person answering had merely hung up on us without responding.

Although China Harbor does technically meet the qualifications for being considered a restaurant—in that they serve things purporting to be food—the food that is served is unnaturally shiny and, according to a lab we sent it to, may in fact be plastic.

The Loon piece goes on, but it hits on a few key China Harbor myths: The restaurant cannot possibly afford all of that space by just being a restaurant, illegal things must be funding this desirable piece of real-estate, and the food is dirty. 

Maybe The Loon is an artifact from a bygone era where punching down with stereotypical racist jokes could win you a Comedy Central special, but 2008 wasn’t that long ago, and this racism still exists, evidenced by all the still-persistent China Harbor rumors. 

It doesn’t take a genius to piece together that all of these incredibly racist things are common in anti-Asian rhetoric, but I’ll lay it out for you. 

According to a PBS story published in the wake of the pandemic during the height of anti-Asian hate, “persistent false narratives… that Chinese American neighborhoods or Chinatowns are dens of vice send the message that Asian people are less civilized.” Suggesting that China Harbor houses a brothel upstairs or a gambling den in the basement isn’t only racist, it’s unoriginal! Theories that Asian businesses aren’t legitimate businesses, but fronts for illegal activity are commonplace nationally. And so is the whole dirty food thing.

Assuming Asian food is “dirty or disease-laden” is a trope we can trace back to the 1850s when white people spread the false rumor that Chinese immigrants ate rat and dog meat. In reality, those lies—which should sound very familiar to us right now—were how white people expressed their fear of the new, the unknown. For white workers in the 1850s, this sneering at Chinese immigrants was white workers using them “as a scapegoat for their economic woes,” Ellen Wu, a history professor at Indiana University told PBS. This has another name: xenophobia. 

Think about monosodium glutamate, or MSG. The chemical compound, founded in the early 1900s as a way to enhance the umami flavor in food, was maligned starting in the late 1960s when a doctor blamed the seasoning for the bad feeling he got after eating Chinese food. This spawned an entire ailment known literally as Chinese Restaurant Syndrome. Despite there being no actual proof that MSG was harmful, the stuff all but disappeared in Chinese food in the US. 

“That MSG causes health problems may have thrived on racially charged biases from the outset,” an article in Five Thirty Eight explained. This “fear of MSG in Chinese food” was just another example of “the U.S.’s long history of viewing the ‘exotic’ cuisine of Asia as dangerous or dirty.”

In reality, chances are the China Harbor was making ends meet not by trafficking drugs from one side of Lake Union to the other or whatever people assume, but by being a unique, multi-use space in this otherwise commercial part of town. Their event space was hugely popular in Seattle’s Asian community. In their closing announcement, they wrote that, on their busiest days, they “served over 500 guests.” On weekends, the restaurant’s event space gets booked out for salsa nights and other multicultural dance spaces. There’s a massage business and a basement swimming pool where people take swim lessons. It’s a hub for non-white Seattle. Does any place that doesn’t cater specifically to white Seattleites always inspire this kind of fear or suspicion? 

I regret not having given China Harbor a chance before it closed its doors due to staffing woes, high rents, and construction fees. While the China Harbor rumors always seemed far-fetched to me, I felt guilty for even entertaining them without ever having gone inside the building; For entering the restaurant and looking for any sign mob activity.  I wonder if anyone else who packed that dining room to get a glimpse of a Seattle mystery realized the conspiracy part of the popular conspiracy theories as they cleaned China Harbor out of dim sum. I wish I got to eat some dim sum. The next time that craving comes I’ll go to the restaurant’s new venture, Vivienne’s Bistro.

The Stranger

West African Food, Dumplings, and Matcha

by EverOut Staff

Happy Solstice! Summer is officially here, and there’s a wave of new food updates, from West African food to handmade dumplings. Plus, Musang is back at last! For more ideas, check out our food and drink guide.
NEW OPENINGS AND RETURNS

Jollof Hub West African Cuisines
West African cuisine can be difficult to find in Seattle, so it’s all the more exciting that this family-owned spot specializing in homestyle Nigerian and Gambian food opened in Greenwood at the beginning of the month. Dishes include jollof rice, meat pies, lamb afra, okra soup, and more.
Greenwood

The Stranger

The Stranger’s morning news round-up.

by Nathalie Graham

Cartoon villain shit: This week, the Everett Herald announced layoffs to over half of its staff with the elimination of 12 positions. Publisher Rudi Alcott claimed “readers wouldn’t notice” the significant cuts to the staff, according to the Herald’s own reporting. But, the publisher deleted that article from the website on Thursday, calling its portrayal of real events and the impact on real local journalism “a hit piece.” Unfortunately, this move drew more attention to the layoffs, stirred up some good old-fashioned outrage, and a “friendlier” version of the piece was restored to the site after several hours. The Streisand effect strikes again!

The original version of the story lives on in print: As they say, print is forever. Wait, they say that, right?

Our publisher took down this story online after laying off half the newsroom. Luckily print lives on. @EverettHerald @EverettGuild pic.twitter.com/JzEbd2Ussj

— Jenelle Baumbach (@jenelleclar) June 20, 2024

No arrests in Garfield shooting: It’s been two weeks since a lunchtime altercation at Garfield High School left 17-year-old Amarr Murphy-Paine dead. The Seattle Police Department still has not caught the suspected “school-aged” shooter, yet they are working “very, very hard on that investigation,” according to a department spokesperson.  

Some solstice news: Yesterday, as we all of course know, was the summer solstice. The longest day of the year fluctuates between June 20 and June 22. This year, the solstice came on June 20 at 1:24 p.m. That’s the earliest solstice in 228 years. To put that into context, the last time the solstice happened this early, George Washington was president. This doesn’t spell doom or gloom, but is merely a result of calendar quirks. 

Summer lovin’: We did it, we’ve reached the sweaty, skin-sizzling zenith of the year. The sun will be out and will be showing off Friday and Saturday. On Sunday, the sun will take a break and let the clouds have another mainstage moment. 

Warm, dry conditions will continue into Saturday. Cooler temperatures are expected along the immediate coast. High temperatures will peak for most interior areas on Friday. Cooler temperatures are likely by Sunday as a weak system moves through the area. #WAwx pic.twitter.com/I2nHqM8cTn

— NWS Seattle (@NWSSeattle) June 20, 2024

This is the bad place: In addition to leading Joe Biden in the polls, convicted felon Donald Trump is absolutely obliterating Biden when it comes to fundraising. In the last month, Trump fundraised $60 million more than the Biden campaign. The 34 felonious counts seem good for business; Trump raised $141 million in May alone.

Another mysterious monolith: Remember in 2020 when those strange monoliths popped up in places around the world and then quickly disappeared? To my knowledge, we never got any answers about those. Maybe our chance for truth is now—another monolith has just appeared in Nevada’s Desert National Wildlife Refuge. I hope the culprit is aliens rather than performance artists or, worse, a corporate marketing scheme. 

MYSTERIOUS MONOLITH!

We see a lot of weird things when people go hiking like not being prepared for the weather, not bringing enough water… but check this out!
Over the weekend, @LVMPDSAR spotted this mysterious monolith near Gass Peak north of the valley. pic.twitter.com/YRsvhJIU5M

— LVMPD (@LVMPD) June 17, 2024

FBI raids Oakland mayor’s house: First-term Mayor Sheng Thao’s house was overrun with FBI agents on Thursday. It is unclear what the raid concerns. ABC News heard from sources that it is a public corruption case, and the IRS and the US Postal Service are working together with the FBI on it. In what seems to be a connection to this raid, the FBI also raided properties owned by politically influential Duong family which owns the recycling company Cal Waste Solutions.

Charges dropped against most Hamilton Hall protesters: On Thursday, the Manhattan District Attorney’s Office dropped most of the charges against the Columbia University students who took over a school building during pro-Palestine demonstrations this spring. The office dismissed 31 of 46 trespassing charges due to “lack of evidence.” Fourteen other people, only two of whom are students, will have their charges dropped if they are not arrested in the next six months. A fifteenth person still faces a trespassing charge as well as a charge of burning an American flag and breaking an NYPD camera while in a holding cell. 

Just Stop Oil protesters broke into a private airfield to vandalize Taylor Swift’s private jet.

Neither of the two aircraft that were actually vandalized are owned by Swift. pic.twitter.com/cH47JqLjrx

— Pop Crave (@PopCrave) June 21, 2024

Barcelona bans Airbnb: The Spanish city’s mayor, Jaume Collboni, announced Barcelona will ban all short term home rentals for tourists by 2029 as a way to control rental costs for actual residents of the city. Barcelona will stop issuing new short-term rental licenses and will stop renewing existing licenses. 

Well, that’s a relief: The US Supreme Court issued an opinion Friday upholding an existing law banning alleged domestic violence offenders from owning firearms. The opinion was 8-1 with Justice Clarence Thomas the only dissenter. 

Forbidden paint job: Two climate protesters with Just Stop Oil broke into a London airfield and spray painted two private jets orange. They were reportedly trying to target Taylor Swift’s jet, but her plane wasn’t parked at that airfield. This demonstration comes just days after other Just Stop Oil protesters spray painted Stonehenge orange. Are these tactics working? No idea. But, they’ve gotten my attention, so maybe that’s a sign of efficacy. 

Just Stop Oil protesters broke into a private airfield to vandalize Taylor Swift’s private jet.

Neither of the two aircraft that were actually vandalized are owned by Swift. pic.twitter.com/cH47JqLjrx

— Pop Crave (@PopCrave) June 21, 2024

You just can’t make this shit up: Apparently, Michigan Republican congressional candidate Anthony Hudson is in hot water because he deepfaked some audio and made Martin Luther King Jr.’s voice endorse him in a campaign video. According to Michigan’s Fox affiliate, a TikTok video from the candidate featured MLK saying, “I have another dream. Yes, it is me, Martin Luther King. I came back from the dead to say something,” the audio says. “As I was saying, I have another dream that Anthony Hudson will be Michigan’s 8th District’s next congressman. Yes, I have a dream again.” After the backlash, Hudson said his friend was the one who posted the video. I’m really enjoying thinking about the creative process behind this. Like, a bunch of Republicans in a room being like, “You know what would be crazy? If we could get the coveted post-humous MLK endorsement.”

A song for your Friday: In honor of Kendrick Lamar’s Juneteenth concert where he played his Drake diss track “Not Like Us” five times here’s that track for your listening pleasure:

The Stranger

Getting down to the bottom of the barrel here.

by Ashley Nerbovig

Earlier this week, former Seattle Police Department (SPD) Chief Adrian Diaz came out as gay in a last-ditch effort to repair his image after employees filed multiple lawsuits against him and the department for sexual discrimination, harassment, and racism. That accumulation of lawsuits in part led to his ouster as top cop earlier this year. 

First of all Diaz, welcome; sad you didn’t break the news with us. Would have loved to have done the interview in the rainbow cruiser. 

Second, we have some advice. Instead of leaning on the gay thing as a partial defense to some of these rumors and complaints, a better defense might have been that you inherited a barrel of bad apples at SPD. Mayor Bruce Harrell said as much at his press conference announcing your departure! Why not start naming names and beginning the process of saging the department?? Since you declined to take that path, let us shed light on some racist, bullying, and lying SPD officers–a couple of whom you even managed to fire in your short tenure! 

Ding-Dong, a Racist Cop Is Gone

Case #2023OPA-0413

SPD fired Officer Burton Hill after the Office of Police Accountability (OPA) sustained two policy violations against him for hurling racist and sexist slurs at his Chinese neighbor in August 2022. Court documents show that Hill and his wife, Agnes Miggins, had engaged in what the neighbor, Zhen Jin, described as a harassment campaign against her. One night, Miggins banged on Jin’s door to yell about how her dog had gotten ahold of some bones, which Miggins accused Jin of leaving out intentionally to hurt her dog. Jin denied the accusation. During the more than 20-minute long confrontation, Hill twice referred to Jin as a racial slur used against East Asians, as well as calling her a cunt.

During the OPA investigation, Hill and Miggins both told investigators they’d drank heavily that night. Hill also denied that he used the racist slurs in a racist way, and called it an “excited utterance.” He told OPA investigators he only went out to speak to Jin after Miggins banged on Jin’s door and he heard yelling, maintaining that he only went out to help defuse the situation. OPA investigators found this argument not credible and said the audio recording showed that Hill “was the most aggressive and threatening party involved.” In response to Hill’s argument that he hadn’t used the terms in a racist way, OPA again disagreed. OPA called Hill’s use of the slurs a “textbook” example of violating SPD policies regarding bias-free policing. The racist and sexist slurs, combined with the way Hill repeatedly referred to Jin as “‘nothing’” showed an “intent to demean her.”

My favorite quote from the report of the OPA investigation, which I’ve already reported, remains when the investigator asked Hill if he had anything else to add, and he said, “The worst part for me about this whole thing—other than being labeled a racist, which is probably the worst thing other than a pedophile you can be labeled as—is I look at my fiancé and my dog differently. I resent them both because they put me in this position. And it sucks.” Hard to respect a man who blames animals and women for his own behavior.

Based on the OPA investigation, SPD’s disciplinary committee recommended either a 30-day suspension or termination. Former Chief of Police Adrian Diaz chose to fire Hill. Before leaving the department, Hill raked in a salary of about $170,500 in 2023, and under the new Seattle Police Officers Guild (SPOG) contract, the City expects to pay him about $65,000 in back pay.  

Jan 6 Cop Taunts a Man in Crisis 

Case #2022OPA-0235

On June 27, 2022 Officer Jason Marchinone, one of at least six SPD officers who attended the January 6 riots at the US Capitol, drove to a call about a man in crisis who allegedly had a knife. By the time Marchinone showed up, other officers had already handcuffed the man and had him sitting on a curb. One officer told Marchinone the man had resisted arrest, to which Marchinone chuckled and said that resisting was a bad idea, according to the OPA report.

The Seattle Fire Department (SFD) arrived to check on the man, who had some injuries from his altercation with officers. An SFD employee asked the officers what happened to the man, and Marchinone “altered his voice into babytalk” and said, “‘Oh, he had a big morning, right? He had a big morning. He had a big morning. Yeah.’” When talking about the man’s injuries, Marchinone referred to the man having “boo-boos” on his arms and talked about how the morning had “‘tuckered out’” the man. He also acknowledged to the SFD employee that the man probably needed to be an involuntary commitment, and so he recognized he was taunting a man in mental distress.

Marchinone started to ask the man questions, and the man said his girlfriend lived in Columbia City. Marchinone told the man an ambulance would come to take him away soon, and if he asked them nicely the EMTs could take him to his girlfriend’s house. When the EMTs showed up, Marchinone told them, “‘He’s gonna ask many times about wanting to go engage in some physical activity with his girlfriend. Don’t be swayed and take him there.’” 

EMTs began to strap the man to a gurney, and Marchinone walked away to speak to a witness before returning to the back of the ambulance. He continued to heckle the man, making a comment that the man may have a doppelganger out in the world, such as Sammy Hagar. When the man asked for a ride to see his girlfriend, Marchinone said the man needed to “‘tone down that libido baby.’” The man asked, “‘What libido?’” In response, Marchinone said, “‘What libido? You’ve been asking to go bang your girlfriend for thirty minutes!’”

At one point, Marchinone turned to one of the EMTs and said, “‘Gotta amuse yourself and reinvent … I’m reinventing the wheel here. The job has changed so much.”

About half an hour later, Marchinone climbed into the ambulance to escort the man to the King County Jail. During the six-minute ambulance ride, the man called out Marchinone for laughing at his arrest and making fun of him. Marchinone said he and the man were just “hanging out. I just like to have fun at my job….” The man said “fuck that” and said he planned to sue the city. Marchinone seemed dismissive of the idea and said, “Probably like 12 to 25 people are gonna watch my whole video and me talking, talking nonsense to ya. They probably won’t laugh even though I’ve laughed. And then we’ll go on.”

When the ambulance finally arrived at the jail, Marchinone had the fucking audacity to make a comment about how the King County Jail had “lost total standards and credibility” when referring to how long it would take for jail staff to book the man into jail.

In an interview with OPA, Marchinone defended his comments as a strategy to calm down the man, however OPA disagreed and described what he had done as antagonization for the sake of amusement. The OPA sustained a professionalism policy violation against him, and Diaz issued him a written reprimand for his behavior.

OPA also recently released an investigative report regarding false statements Marchinone made to police after a 2021 collision in Bellevue, which earned him a 30-day suspension, according to a story by DivestSPD. The article went on to say that he has another active investigation for failing to conform to the law, and that he has remained on leave since July 2021. Despite spending 2023 entirely on leave, he made about $117,850 last year. Under the new SPOG contract the City plans to pay him about $48,000 in back pay.

Seattle’s Finest Hides Hit-and-Run, Accused of Rape

2021OPA-0092

KOMO recently dropped a story about how SPD fired Officer Dezmond C. Moore for his role in trying to hide his involvement in a DUI-related hit-and-run. On the night of crash, a woman also accused Moore of raping her, though the King County Prosecuting Attorney declined to charge him in that case due to concerns they could not prove the accusations beyond a reasonable doubt. 

In a 23-page report, the OPA detailed how on February 9, 2021, Moore went out and drank with the woman to the point of “severe intoxication.” Restaurant staff reported the woman appeared to become drunk very quickly. Moore reported that the woman drove the two from the restaurant until she allegedly hit a parked car, which pushed into another parked car. Moore said he then switched spots with her and drove the car to a hotel. 

The next morning, the woman told friends she woke up and couldn’t remember the events of the previous night, including whether she had sex with Moore. He later told a mutual friend that he had sex with her. About three days after the incident, the woman sought an examination from a Sexual Assault Nurse Examiner. 

Moore denied the accusations that he had sex with the woman without her consent, and he said the woman appeared to be awake and aware of her surroundings. The OPA made no finding regarding the accusations of sexual assault, though investigators said that at minimum Moore had sex with the woman “when there was evidence to suggest her capacity to consent was then, or had very recently been, legally questionable.”

In the days after the accident, Moore pressured the woman to hide the fact that he had ridden in the car with her that night and to lie about other aspects of the accident. He also used police databases without authorization to see if someone had filed a police report about the accident.

OPA described all of Moore’s conduct in relation to the case as “concerning,” all the way from the amount of alcohol he drank to riding in a car with an intoxicated driver to leaving the scene of a DUI-related hit-and-run and then failing to report both the crash to the police and his involvement to his superiors at SPD. Even in his interview with OPA investigators, Moore appeared closed off and “nonsensical in his lack of candor.” Throughout the investigation, Moore minimized his responsibility and allowed “others to take the fall,” investigators said. 

The Seattle City Attorney’s Office charged Moore with a DUI for his involvement in the accident, and he entered into a deferred prosecution agreement, which required him to admit to the charge. OPA investigators sustained five policy violations against Moore for lying, breaking the law, unauthorized access of police databases, failing to report his policy violations, and failing to act professionally. 

Moore joined the SPD in December 2019. SPD placed him on administrative leave for these allegations in February 2021 until his firing at the end of December last year. While on administrative leave, Moore has earned a salary of more than $100,000 each year, and the City is expected to pay him about $43,894 in back pay under the new SPOG contract.

The Stranger

I don’t know if having an SRO at Garfield would have prevented school shootings, but I do know that the district uses SROs to discipline and intimidate students.

by Amanda Thornewell

In the wake of yet another school shooting, the killing of Amarr Murphy-Paine at Garfield High School, some people are calling for the return of cops in our public schools. Parents are understandably frightened, but cops in schools won’t make our children safe. Rather, they will be used to discipline and intimidate students. My family knows this from bitter experience. 

In 2017, my son, then a 17-year-old at Garfield High School, witnessed a horrifying hazing incident in the swim team locker room. In 2019, he saw possible sexual misconduct and reported the incident to school officials, but nothing was investigated. In January 2020, he reported his observations to a student journalist from the school newspaper, and I got a call from the Garfield school resource officer (SRO)—that is, from a cop assigned to the school. When I picked up the phone, I thought the SRO would be offering help. But he said, “I want you to tell your son to STOP talking to the newspaper.” Those words marked the start of our long battle with Seattle Public Schools and the police they employed. 

As we would soon learn, this call was not from an SRO gone rogue. He was doing exactly what the district wanted. The district did not want the public to know that my son had seen naked seniors squatting over first-year faces while forcing the first-years to do sit-ups. So it turned to the SRO to shut down my son.  

That phone call was just the start of the SRO’s role in the school’s attempt to silence my son. Before I received the phone call, the vice principal brought my son to his office, where the SRO, armed and in full police uniform, stood over my son.  They shut the door and ordered him to stop talking to the press, telling him it would “not be in his best interests” to keep speaking out.  

My son was terrified and crying by the time his dad arrived. With the SRO blocking the door, the vice principal made my husband and son sign a document that would ensure my son’s silence, a so-called “safety plan.” This safety plan was actually a disciplinary contract designed for juvenile offenders, with punitive consequences and a threat of disciplinary actions and expulsion for disobeying orders, which in this case included a demand to stop talking to the press. 

In a deposition, the SRO later admitted that he wasn’t in the vice principal’s office to investigate anything. During that interview, he said he was there to be “a presence in the room.” In my view, that means he was used as intimidation to enforce my son’s silence. The police uniform and gun gave the impression that my son could be arrested unless he complied.

When we filed a complaint with the district’s Office of Student Civil Rights, the district’s investigator was a former police officer. The investigator attacked my son’s credibility and accused him of “embellishing” due to his “condition.” He declared that the school principal has the right to stop the publication of the school newspaper, even though that is against Washington state law.  

The district was confident it had the law on its side, in the form of the police. The presence of police at school gave the appearance of legitimacy and legality to the district’s actions, whether those actions were legal or not.    

My son’s mental health plummeted after the encounter with the police at Garfield. Some of the numerous staff involved in the successful suppression of the newspaper article were promoted to top tiers, and no one from the district was ever held accountable for using the presence of the SRO to silence my son about the hazing.  

I don’t know if having an SRO at Garfield would have prevented school shootings, but I do know that the district uses SROs to discipline and intimidate students. The SROs are used by the district as weapons of control and intimidation. Police in schools do not make our students safer. 

Amanda Thornewell is the parent of a former Garfield student and current high- schooler in Seattle Public Schools. Her son recently won a settlement with the school district. 

The Stranger

The paradox of library music is that it’s utilitarian, yet it’s also a breeding ground for some of the boldest, most interesting sounds ever.

by Dave Segal

Working out of his Everett-based Soundview Analog Recorders studio, Sean Wolcott has become a prodigious creator of eclectic, evocative soundtrack and library music. With regard to the latter genre, the guitarist/composer/producer occupies a tiny niche in the region’s musical ecosystem. Aside from Andy “Gel-Sol” Reichel (whose great library single I reviewed on this blog in 2022), the field’s pretty much ruled by Wolcott. 

Library music—which is created for placement in movies, TV shows, radio, ads, and other media—is, Wolcott says in an interview conducted at Analog Coffee, “kind of like this bizarre creature that’s mixed of all of the kind of music I like and is pushing genre in a way that a lot of genre-bound artists don’t. It felt really alive.” The paradox of library music is that it’s utilitarian, yet it’s also a breeding ground for some of the boldest, most interesting sounds ever. 

Traditionally, it’s been rare for an American musician to get involved in European-dominated library music. What’s the US scene like right now? “It seems to be evolving, where awareness of library music has expanded a lot,” Wolcott says. “I worked on a movie project a few years ago and one of the actors was a young guy who was a huge library-music fan, but he didn’t even know the term ‘library music.’ When I told him this was library music, he said, ‘Oh, wow, I love it!’ If the uncool goes far enough, it becomes cool. Like easy listening—which I’ve always been a diehard fan of—is sort of hip and edgy in a way.” 

<a href=”https://seanwolcott.bandcamp.com/album/violent-hand-of-the-sleeping-city”>Violent Hand of the Sleeping City by Sean Wolcott</a>

Wolcott got into library music in the early 2000s through music blogs, which exposed him to obscure European soundtracks and the rich crop of ’60s/’70s Italian composers. “Discovering the Italian soundtracks and library stuff, it was like, okay, this is my realm,” Wolcott says. “I delved a lot deeper. Ennio Morricone being the obvious one, but finding people like Stelvio Cipriani, Bruno Nicolai, and the infinite amount of composers from there [further intrigued me].” 

Another inspiration came in the form of Jonny Trunk’s The Music Library: Graphic Art and Sound (2005), a book that spotlights a dazzling array of library album covers. “At that point, I was doing graphic design as a job, and that appealed to that aspect of things. The sheer creativity in the artwork and the music itself and the contradiction of the extreme experimental aspects, but meanwhile it has commercial intent. Also, the speed at which [library albums] were made and the low cost at which they were made… you have a couple of days to write, a couple of days to record. That spontaneity brings out a lot of inspiration and creativity when you’re under those constraints.”

Sean Wolcott’s Soundview Analog Recorders studio in Everett, WA. Liam Kennedy

Some of Wolcott’s commissions come from a Seattle company called License Lab, where his friend and founder, Daniel Holter, works. For the LL imprint Analog Champion, Wolcott’s done a ’60s psych record [Psych Rock] and a ’50s/’60s exotica album [Exotica], both from 2023. The records’ attention to period details and execution are phenomenal—and their cuts are surfacing in unusual places. “I’ll look at my performance rights statements and see that [a track appeared on a televised football game]. I don’t know why the NFL is playing some weird psych track,” Wolcott says, laughing. 

“My ongoing joke with recording is, I’m not trying to do a Civil War reenactment. I don’t fetishize any of these eras. I just think that there’s a quality of music I strive for in my own creations.”

<a href=”https://seanwolcott.bandcamp.com/album/love-is-a-funny-game”>Love is a Funny Game by Sean Wolcott</a>

Besides the aforementioned albums for Analog Champion, Wolcott’s released 2022’s Il Mietitore cavalca verso ovest (dusky spaghetti Western moves), 2023’s Love Is a Funny Game (carefree, orchestral pop redolent of erotic French and Italian films from the ’70s), 2023’s Violent Hand of the Sleeping City (crime-thriller nail-biters), and 2023’s Liquid Landscapes (woozily jazzy themes for undersea nature documentaries).

To achieve his pitch-perfect sounds, Wolcott has stocked his studio with analog recording gear from the ’50s to ’60s, as well as a 1939 Altec Birdcage ribbon microphone, which his partner in the funk-oriented Wolcott Curran Collective, Craig Curran, uses to record his bass parts. (Curran played in Fleet Foxes from 2006 to 2008.) Also in Wolcott’s arsenal is a Scully 280 4-track tape recorder that the Beach Boys used while recording their classic 1966 album, Pet Sounds.

One of Sean Wolcott’s man vintage studio toys. Liam Kennedy

Wolcott’s initial musical enthusiasms began with John Williams’s scores for Jaws, Star Wars, and Close Encounters of the Third Kind. In the ’60s, Wolcott’s father had played guitar in a cover band called Willow Run, and young Sean would learn how to play on that instrument. As a sixth grader, Wolcott—who was always drawing as a child—became enamored of arty pop such as 2nu’s “This Is Ponderous” and Barnes & Barnes’ “Fish Heads.” But hearing Nirvana right before Nevermind blew up convinced Wolcott that he wanted to make music his life. 

As someone who was so visually oriented from such a young age, though, Wolcott seemed destined to get into soundtracks—both real and imaginary. “With these projects, I tend to approach them almost like they were a soundtrack for a movie—not necessarily in the traditional sense, but I can see it in my mind. I’ll plot out the characters, scenes, and story and write for those, versus just coming up with random music. So I’m composing for this movie that’s in my mind, which I don’t necessarily have any intent to make.” 

Satisfyingly, tracks from these recordings have been licensed. They also, Wolcott says, “end up being business cards for producing other people, recording for people, things like that.” One example is Washington troubadour Damien Jurado, for whom Wolcott has produced two albums and several singles. Expect those results, which “are pushing some exciting new territory” for Jurado this summer. 

Wolcott’s newest soundtrack in search of a film, Lady Swordfighter, might be his most ambitious. Inspired by his deep appreciation for Japanese culture and music, Lady Swordfighter simulates the spare yet rich music that tingles spines in Japanese samurai thrillers.

<a href=”https://seanwolcott.bandcamp.com/album/lady-swordfighter”>Lady Swordfighter 修羅女武者 by Sean Wolcott</a>

Wolcott orchestrated this album to sound as authentic as possible, with considerable help from skilled collaborators such as Aura Ruddell (koto, vocals), Mary Ohno (shamisen, vocals), Hanz Araki (shakuhachi), Patrick Oiye (shamisen), and the drumming ensemble Seattle Kokon Taiko. Lady Swordfighter “was a chance to dive a lot deeper and learn a lot more. Having done so, I feel like it changed me permanently in terms of how I see music. It was me learning a lot more about Japanese scales. My good friend Aura Ruddell—who’s of Japanese heritage and has played on several of my albums—learned how to play koto in Japan, so she was a good resource and an encourager to nudge me on my way.

“I’m just an evolved garage-rock-band guy,” Wolcott says, laughing. “I don’t have any formal musical education. A lot of my musical education is just figuring it out on my own and having some great friends to play with.”

Wolcott takes pride in the fact that there are no samples in Lady Swordfighter—or in any of his recordings. “It has oftentimes fooled people, such as [legendary hip-hop producer] Pete Rock, into thinking it’s an old record. But that’s not really my goal. I’m not trying to make things sound old. I mean, I use a lot of old gear, because I like the way it sounds.”

Currently, Wolcott has about 30 concept albums dwelling in his mind, including one revolving around hang gliding. He’s also fielding film-scoring offers from directors outside of the Seattle area. “That’s a space I want to get into a lot deeper. It’s a hard space to penetrate. The rapper Logic just finished doing a film [titled Paradise Records] that’s using my music in some different scenes. There are other smaller things, too. Some things are hard to track, since it launders through an ad agency. It continues to plant seeds and opportunities.

“Getting back to library music, there’s a kind of an absurdity of some of these things, where it’s very specific. And it’s specific in a way that doesn’t describe a jazz or even a sub-genre of music. It’s more thematic. Narrative can challenge genre in exciting ways. The history of recorded film scores has been really good at pushing that. Jonny Greenwood for the Spencer soundtrack, he was fusing jazz with baroque music. It really ties back to library music and how the types of music you wouldn’t think to be bedfellows can actually play together quite nicely. 

“My whole experience has been me trying to get the thing I want. Going through somebody else’s channels has never worked for me, cosmically. If you want it, make it yourself. It’s always been my mantra. It’s worked thus far.”

The Stranger

Fremont Fair & Solstice Parade, Capitol Hill Pride March and Rally, and More Cheap & Easy Events Under $15

by EverOut Staff

As usual, we’re here to take the guesswork out of planning a great weekend. Browse our cheap and easy guide for event picks from the Fremont Fair & Solstice Parade to Cutie Fest and from Capitol Hill Pride March and Rally to the 1st Annual Georgetown Pride. For more ideas, check out our guide to the top events of the week.

FRIDAY
LIVE MUSIC

Cherry Ferrari
Cherry Ferrari is a project by Emma Wang and Oliver Crosby, Seattle teenagers who combine their talents of smooth, jazzy vocals (Wang) and glossy disco production (Crosby). Catch the band during this hometown gig before they embark on their first tour. Local R&B artist Yonny will open. AUDREY VANN
(Barboza, Capitol Hill, $15)

The Stranger

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